Premiere: 23. April 2022 Theatrum\/Estonian Music Days, Tallinn<\/p>
How to live in a body hit by a cosmic catastrophe?\u00a0The work delves into a mental and emotional state determined by the memories stored and locked in the body and\u00a0psyche.<\/p>\n
We see a person whose inner world has broken into pieces,\u00a0and everything around her seems fragmentary and separated from her by an invisible wall. The character, who is\u00a0embodied by two performers \u2013 a singer and a dancer \u2013 no\u00a0longer perceives herself or the outside world clearly. But\u00a0there is life still occuring around her and she has to move\u00a0on with her somehow. How does she do it, what choices\u00a0does she make, what support does she use? How does she\u00a0try to express herself in a situation in which the words\u00a0have not yet been created \u2013 where the words \u201ehave shown\u00a0themselves to be useless and meaningless\u201c, as Maarja\u00a0Kangro notes in her novel \u201eThe Glass Child\u201c in 2016? In\u00a0the course of the previous etched cremation process, the\u00a0character has become transparent, as if an X-ray image of\u00a0both the physical and mental interior had been projected\u00a0continuously and everywhere. Society projects its fears and\u00a0hopes into this human laboratory. But the character goes\u00a0on. Despite everything.<\/p>\n
The work is developed in the process of parallel creation\u00a0using the synthesis of vocalization, analog and digital\u00a0sound, word, body, movement, object, instrument, light,\u00a0projection and space to say the unspeakable and to express\u00a0the inexpressible in words.<\/p>\n
Music: Tatjana Kozlova-Johannes, Scenario: Liis Kolle<\/p>\n
2022 Theatrum\/Estonian Music Days, Tallinn<\/p>\n